Motion Picture Treat: "When The Whole World Is So Upset"
For the first time ever, I'm able to share a movie of Melville Jacoby himself. These snippets of 16mm movies were shot in the 1930s and are accompanied by excerpts from a moving letter he wrote his mother in early 1941 about why he pursued his dangerous careert.Mel was on a boat from China bound for Manila and, eventually, to the United States. He had just finished a year's work as a stringer in China and the region of Southeast Asia then known as Indochina. There, in the city of Haiphong (a part of modern-day Vietnam), Mel had been arrested and briefly detained by the Japanese, who'd accused him of being a spy. As he traveled back to the United States, he wrote a moving letter to his Mother in which he attempted to reassure her about the risks he'd taken in the previous year. Check out the full post to see the video.
For the first time ever I'm able to share a movie of Melville Jacoby himself!
On Jan. 8, 1941, Melville Jacoby was on a boat from China bound for Manila and, eventually, to the United States. He had just finished a year's work as a stringer in China and the region then called Indochina. There, in the city of Haiphong (a part of modern-day Vietnam), Mel had been arrested and briefly detained by the Japanese, who'd accused him of being a spy. As he traveled back to the United States, he wrote a moving letter to his Mother in which he attempted to reassure her about the risks he'd taken in the previous year.
Listen to excerpts from that letter as you watch this video, which features snippets of Mel when he was a young man in China. This is just a minute's worth of footage from the more than an hour and a half of Mel's films that have been digitized. Your contributions make it possible for me to find and process these amazing artifacts. They allow me to present a richer version of Mel's story and the way they show a young man laughing with friends and capturing his wonder at the places he saw humanize him as well. If you haven't yet, please contribute today.
Following a War Correspondent's Footsteps to the Oil Spill
Will following the footsteps of Melville Jacoby, a World War II correspondent and my grandmother's cousin, help me cover the gulf oil spill?
As I learned from my grandmother about Melville, I realized he played a central role telling stories about one small part of another great, global crisis. Perhaps the war was more romantic than seemingly glacial environmental changes (though really, they aren't so glacial) but both crises are the defining milieus of a particular generation. "Like Melville," I wrote, "I want to chronicle my generation's response to its crisis."
Two nights ago I tweeted the following: Dreaming of dropping everything to report on the oil spill like an old fashioned war correspondent. Anyone hiring experienced reporters? At first it was a bit of a whim. I've been working on a complex but often dry assignment. During breaks I've read these fascinating — if horrifying — stories about the spill. There are just so many pieces of this story that need to be covered. How could I contribute to that coverage, particularly when the story will have such far reaching impacts on our world?
Then I thought: why not just ask? Who needs help reporting on the spill? Why not offer my services as an experienced reporter who'd be willing to contribute his work, his time, and his energy?
So, who needs help?
Two years ago, when I applied to grad school, I described our shifting environment and its impact on society, politics, economics and culture — let alone life — as perhaps the only great global story. As I did, I had my grandmother's cousin, Melville Jacoby, on my mind.
As I've described before, Melville served as a correspondent in China and Southeast Asia in the 1930s and early 40s. His work appeared in places like Time, Life and the United Press Syndicate at the onset of World War II. Younger than I am now, he was so deeply immersed he reported from the midst of a narrow escape from the Philippines after the Japanese invasion and, during his travels through China, became close to Chiang Kai-Shek. Killed at 25 in an accident in Australia in 1942, he left behind rich accounts of his life in the form of letters, dispatches and photos now in my grandmother's possession.
As I learned from my grandmother about Melville, I realized he played a central role telling stories about one small part of another great, global crisis. Perhaps the war was more romantic than seemingly glacial environmental changes (though really, they aren't so glacial) but both crises are the defining milieus of a particular generation. "Like Melville," I wrote, "I want to chronicle my generation's response to its crisis."
I have some travel credits, some time, and a little cash saved up.
I even have Melville's typewriter.
If that could get me to the Gulf Coast, could there be a floor to sleep on for the minutes I'm not in the field? Who's in need of a collaborator? A researcher? An errand boy? A transcriptionist?
Let's talk. Even if it's not in the field, how can I help?
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